Real Player 10, like Microsoft Windows Media Player 10, is the latest version of one of the most popular music management programs out there. This program by RealNetworks has, as one of its core features, the ability to copy (“rip”) music directly from your CDs and store them on your hard drive. From there, you can organize them by genre, artist and title, as well as playing the music on your computer or transferring them to an MP3 player. Following the steps below will help you accomplish this.
Difficulty: Easy
Time Required: 5 to 15 minutes
Here's How:
1. Insert the music CD into your computer’s CD drive. If a window titled “Audio CD” pops up, select “Take No Action” and click Ok.
2. Start Real Player from the Start Menu by locating the icon and clicking on it.
3. With the “Music & My Library” tabbed window showing on the screen, under “View” to the left click “CD/DVD”.
4. Real Player will read the number of songs on the CD and display them as unnamed tracks. You can either right click on each individual listing and manually name it, allow Real Player to automatically download the necessary information if you are connected to the Internet or select “Get CD Info” under “CD Info” if you need to connect online first.
# Click “Save Tracks” under the Tasks on the left side of the screen.
# A box will box up labeled “Save Tracks”. Check to see that all the tracks you wish to save are selected. If not, or if you don’t wish to save all of them, check the necessary boxes next to each.
# In the “Save Tracks” box section labeled “Save To”, you can leave things as they are or click “Change Settings”. If you change the settings, there are several options which you can do in the “Preferences” window which opens. The next three steps detail those options and what to consider if you are going to change them.
# (a) You can change the the music file format you wish to save the tracks as (MP3 is the most common and universally supported by portable audio players).
# (b) You can change the bitrate (this is the audio quality you save the music as – the higher the number, the better the sound but also the larger each individual file is).
# (c) You can change where you wish to save the files (to change, select “General” in the open window. Under “File Locations”, manually type in a folder name or select “Browse” to find a specific location by navigation. To set a specific order by which all your music is organized by – for example, Genre\Artist\Album –select “My Library” and then “Advanced My Library”. This will provide you a preview of what a typical save to folder will look like, as well as allowing you to change it if needed.)
# If you have made any changes in the “Preferences” window, click “Ok” to accept them. Either way, you are back at the “Save Tracks” screen. Before clicking “Ok” to start, you can either check or uncheck “Play CD While Saving” if you wish to listen to the music as Real Player copies it. If you choose to listen, the music which plays may sound slightly choppy as your computer multi-tasks.
# Having clicked “Ok” to start the copying, the screen shows your track names and two other columns. The one named “Status” is the one to watch. Uncopied songs will display as “Pending”. As their turn comes up, a progress bar will appear to show they are being copied. Once copied, “Pending” changes to “Saved”.
# When all of the songs have been copied, you can remove the CD and put it away.
# Congratulations – You’ve copied music successfully from a CD to your computer using Real Player 10!
http://portables.about.com/od/mp3players/ht/howtocopyRP10.htm
Saturday, October 27, 2007
What features should I consider when buying a portable CD player?What features should I consider when buying a portable CD player?
Portable CD players have been around for awhile now. Led by Sony, the manufacturers of this popular portable electronic device have become quite skilled at churning out players which look strikingly alike and have similar prices. As you wander the aisles of your favorite electronics store staring at all of the plastic packages beckoning your eyes, what features should you consider which will give you the best music experience? Check out our list of recommended ones below.
* Anti-Skipping One of the worse things when listening to a CD is when the music skips, especially when you are jostling your player around. How can you keep your music from jumping around? Anti-skipping technology is the answer and it comes it two flavors for you to consider. One, anti-shock, strengthens the laser which reads your CD so there is less likelihood of it missing a beat.
# The other, a memory buffer, reads the music slightly ahead of what you are hearing and stores it temporarily so that if you hit a bump, you still hear the tunes while the player quickly gets back on track.
# Bass Boost When you are pounding hard on the treadmill or the jogging path, nothing gets your blood pumping harder then a high energy song. Want to take it up even a notch further? Consider bass boost, also known as mega boost, which will highlight the deep sounding parts of your tunes to give it an extra edge and feel.
# Types of CDs Supported With practically ever computer coming with a CD burner these days, it's very easy to copy music onto a CD-R (writable to only one) or CD-RW (writable to multiple times) disc to take with you. Not all portable CD players support MP3-CDs, as they are known, however. Of those that do, they may only support CD-R or CD-RW, but not both. It’s important to know which types your player will be able to read.
# Radio with Presets Sometimes you may just grow tired of listening to the CD you have in your player. Still want some tunes? Consider having a built-in radio with presets so you can always jump to your favorite radio station at the touch of a button.
http://portables.about.com/cs/cdplayers/f/portcdbg.htm
* Anti-Skipping One of the worse things when listening to a CD is when the music skips, especially when you are jostling your player around. How can you keep your music from jumping around? Anti-skipping technology is the answer and it comes it two flavors for you to consider. One, anti-shock, strengthens the laser which reads your CD so there is less likelihood of it missing a beat.
# The other, a memory buffer, reads the music slightly ahead of what you are hearing and stores it temporarily so that if you hit a bump, you still hear the tunes while the player quickly gets back on track.
# Bass Boost When you are pounding hard on the treadmill or the jogging path, nothing gets your blood pumping harder then a high energy song. Want to take it up even a notch further? Consider bass boost, also known as mega boost, which will highlight the deep sounding parts of your tunes to give it an extra edge and feel.
# Types of CDs Supported With practically ever computer coming with a CD burner these days, it's very easy to copy music onto a CD-R (writable to only one) or CD-RW (writable to multiple times) disc to take with you. Not all portable CD players support MP3-CDs, as they are known, however. Of those that do, they may only support CD-R or CD-RW, but not both. It’s important to know which types your player will be able to read.
# Radio with Presets Sometimes you may just grow tired of listening to the CD you have in your player. Still want some tunes? Consider having a built-in radio with presets so you can always jump to your favorite radio station at the touch of a button.
http://portables.about.com/cs/cdplayers/f/portcdbg.htm
What features should I consider when buying a portable CD player?What features should I consider when buying a portable CD player?
Portable CD players have been around for awhile now. Led by Sony, the manufacturers of this popular portable electronic device have become quite skilled at churning out players which look strikingly alike and have similar prices. As you wander the aisles of your favorite electronics store staring at all of the plastic packages beckoning your eyes, what features should you consider which will give you the best music experience? Check out our list of recommended ones below.
* Anti-Skipping One of the worse things when listening to a CD is when the music skips, especially when you are jostling your player around. How can you keep your music from jumping around? Anti-skipping technology is the answer and it comes it two flavors for you to consider. One, anti-shock, strengthens the laser which reads your CD so there is less likelihood of it missing a beat.
# The other, a memory buffer, reads the music slightly ahead of what you are hearing and stores it temporarily so that if you hit a bump, you still hear the tunes while the player quickly gets back on track.
# Bass Boost When you are pounding hard on the treadmill or the jogging path, nothing gets your blood pumping harder then a high energy song. Want to take it up even a notch further? Consider bass boost, also known as mega boost, which will highlight the deep sounding parts of your tunes to give it an extra edge and feel.
# Types of CDs Supported With practically ever computer coming with a CD burner these days, it's very easy to copy music onto a CD-R (writable to only one) or CD-RW (writable to multiple times) disc to take with you. Not all portable CD players support MP3-CDs, as they are known, however. Of those that do, they may only support CD-R or CD-RW, but not both. It’s important to know which types your player will be able to read.
# Radio with Presets Sometimes you may just grow tired of listening to the CD you have in your player. Still want some tunes? Consider having a built-in radio with presets so you can always jump to your favorite radio station at the touch of a button.
http://portables.about.com/cs/cdplayers/f/portcdbg.htm
* Anti-Skipping One of the worse things when listening to a CD is when the music skips, especially when you are jostling your player around. How can you keep your music from jumping around? Anti-skipping technology is the answer and it comes it two flavors for you to consider. One, anti-shock, strengthens the laser which reads your CD so there is less likelihood of it missing a beat.
# The other, a memory buffer, reads the music slightly ahead of what you are hearing and stores it temporarily so that if you hit a bump, you still hear the tunes while the player quickly gets back on track.
# Bass Boost When you are pounding hard on the treadmill or the jogging path, nothing gets your blood pumping harder then a high energy song. Want to take it up even a notch further? Consider bass boost, also known as mega boost, which will highlight the deep sounding parts of your tunes to give it an extra edge and feel.
# Types of CDs Supported With practically ever computer coming with a CD burner these days, it's very easy to copy music onto a CD-R (writable to only one) or CD-RW (writable to multiple times) disc to take with you. Not all portable CD players support MP3-CDs, as they are known, however. Of those that do, they may only support CD-R or CD-RW, but not both. It’s important to know which types your player will be able to read.
# Radio with Presets Sometimes you may just grow tired of listening to the CD you have in your player. Still want some tunes? Consider having a built-in radio with presets so you can always jump to your favorite radio station at the touch of a button.
http://portables.about.com/cs/cdplayers/f/portcdbg.htm
Friday, October 26, 2007
Evolution
A compact disc (or CD) is an optical disc used to store digital data, originally developed for storing digital audio. It is the standard playback format for commercial audio recordings today.
A standard compact disc, often known as an "audio CD" to differentiate it from later variants, stores audio data in a format compliant with the red book standard. An audio CD consists of several stereo tracks stored using 16-bit PCM coding at a sampling rate of 44.1 kHz. Standard compact discs have a diameter of 120 mm, though 80 mm versions exist in circular and "business-card" forms. The 120 mm discs can hold 74 minutes of audio, and versions holding 80, 90 or even 99 minutes have been introduced. The 80 mm discs are used as "CD-singles" or novelty "business-card CDs". They hold about 20 minutes of audio.
Compact disc technology was later adapted for use as a data storage device, known as a CD-ROM.
The design of the CD was originally conceived as an evolution of the gramophone record, rather than primarily as a data storage medium. Only later did the concept of an 'audio file' arise, and the generalizing of this to any data file. As a result, the original CD format has a number of limitations; no built-in track names or disc naming for example. Online services such as CDDB were developed to work around these shortcomings in the computer age.
http://articles.directorym.com/CD_Players-a89.html
A standard compact disc, often known as an "audio CD" to differentiate it from later variants, stores audio data in a format compliant with the red book standard. An audio CD consists of several stereo tracks stored using 16-bit PCM coding at a sampling rate of 44.1 kHz. Standard compact discs have a diameter of 120 mm, though 80 mm versions exist in circular and "business-card" forms. The 120 mm discs can hold 74 minutes of audio, and versions holding 80, 90 or even 99 minutes have been introduced. The 80 mm discs are used as "CD-singles" or novelty "business-card CDs". They hold about 20 minutes of audio.
Compact disc technology was later adapted for use as a data storage device, known as a CD-ROM.
The design of the CD was originally conceived as an evolution of the gramophone record, rather than primarily as a data storage medium. Only later did the concept of an 'audio file' arise, and the generalizing of this to any data file. As a result, the original CD format has a number of limitations; no built-in track names or disc naming for example. Online services such as CDDB were developed to work around these shortcomings in the computer age.
http://articles.directorym.com/CD_Players-a89.html
Thursday, October 25, 2007
Window to the Past
In the early 1970s, using video Laserdisc technology, Philips' researchers started experiments with "audio-only" optical discs, initially with wideband frequency modulation FM and later digitized PCM audio signals. At the end of the 1970s, Philips, Sony, and other companies presented prototypes of digital audio discs.
In 1979 Philips and Sony decided to join forces, setting up a joint task force of engineers whose mission was to design the new digital audio disc. Prominent members of the task force were Kees Immink and Toshitada Doi. After a year of experimentation and discussion, the taskforce produced the "Red Book", the Compact Disc standard. Philips contributed the general manufacturing process, based on the video Laserdisc technology. Philips also contributed the Eight-to-Fourteen Modulation, EFM, which offers both a large playing time and a high resilience against disc handling damage such as scratches and fingerprints; while Sony contributed the error-correction method, CIRC. The Compact Disc Story, told by a former member of the taskforce, gives background information on the many technical decisions made, including the choice of the sampling frequency, playing time, and disc diameter. According to Philips, the Compact Disc was thus "invented collectively by a large group of people working as a team."
The Compact Disc reached the market in late 1982 in Asia and early the following year in other markets. This event is often seen as the "Big Bang" of the digital audio revolution. The new audio disc was enthusiastically received, especially in the early-adopting classical music and audiophile communities and its handling quality received particular praise.
The far larger popular and rock music industries were slower to adopt the new format, especially in the huge consumer markets in Europe and the United States. This "highbrow niche" status of the CD format changed dramatically in May, 1985, when UK rock band Dire Straits released the album Brothers in Arms. One of the first all-digital rock recordings and the first by a major act, Brothers in Arms played to the strengths of the CD by offering more and longer tracks, running ten minutes longer than the album's concurrent LP and cassette releases. It spurred the sale of compact disc players like no other recording before it, helped to drive down the price of players, induced other acts and record labels to release more music on CD and firmly established the format in the mind of the average consumer.
http://articles.directorym.com/CD_Players_Albuquerque_NM-r89-Albuquerque_NM.html
In 1979 Philips and Sony decided to join forces, setting up a joint task force of engineers whose mission was to design the new digital audio disc. Prominent members of the task force were Kees Immink and Toshitada Doi. After a year of experimentation and discussion, the taskforce produced the "Red Book", the Compact Disc standard. Philips contributed the general manufacturing process, based on the video Laserdisc technology. Philips also contributed the Eight-to-Fourteen Modulation, EFM, which offers both a large playing time and a high resilience against disc handling damage such as scratches and fingerprints; while Sony contributed the error-correction method, CIRC. The Compact Disc Story, told by a former member of the taskforce, gives background information on the many technical decisions made, including the choice of the sampling frequency, playing time, and disc diameter. According to Philips, the Compact Disc was thus "invented collectively by a large group of people working as a team."
The Compact Disc reached the market in late 1982 in Asia and early the following year in other markets. This event is often seen as the "Big Bang" of the digital audio revolution. The new audio disc was enthusiastically received, especially in the early-adopting classical music and audiophile communities and its handling quality received particular praise.
The far larger popular and rock music industries were slower to adopt the new format, especially in the huge consumer markets in Europe and the United States. This "highbrow niche" status of the CD format changed dramatically in May, 1985, when UK rock band Dire Straits released the album Brothers in Arms. One of the first all-digital rock recordings and the first by a major act, Brothers in Arms played to the strengths of the CD by offering more and longer tracks, running ten minutes longer than the album's concurrent LP and cassette releases. It spurred the sale of compact disc players like no other recording before it, helped to drive down the price of players, induced other acts and record labels to release more music on CD and firmly established the format in the mind of the average consumer.
http://articles.directorym.com/CD_Players_Albuquerque_NM-r89-Albuquerque_NM.html
Wednesday, October 24, 2007
How much should I expect to pay
These days, CD technology is commonplace enough that you'll actually see portable CD players in the $50-and-under category, which was the going range for low-end portable cassette players some 15 years ago. Don't expect too much from this price range--basic features and less-than-stellar sound quality--but you'll get at least basic CD-player functionality.
The average price for a decent portable disc player is about $100-200, for which you should expect good digital-to-analog converters (the chief arbiter of any player's sound quality), features like programmability and random-play, extended battery life (10 hours or more from two or four AA batteries), and some form of anti-skip protection to guard against interruptions in music playback due to jostling or bumping.
More expensive players will offer more features, better build quality, and sometimes, though not always, better sound. Features can include longer anti-skip buffers, longer battery life, equalization (such as bass boost), AM/FM radio, and spiffier headphones.
http://articles.directorym.com/CD_Players-a89.html
The average price for a decent portable disc player is about $100-200, for which you should expect good digital-to-analog converters (the chief arbiter of any player's sound quality), features like programmability and random-play, extended battery life (10 hours or more from two or four AA batteries), and some form of anti-skip protection to guard against interruptions in music playback due to jostling or bumping.
More expensive players will offer more features, better build quality, and sometimes, though not always, better sound. Features can include longer anti-skip buffers, longer battery life, equalization (such as bass boost), AM/FM radio, and spiffier headphones.
http://articles.directorym.com/CD_Players-a89.html
Get This to the CD Player, Stat!
Thinking beyond Jay-Z and Coldplay, researchers at Ohio State University have turned a standard compact disk into a biochemical laboratory. Their specially designed CD completely automates a commonly used assay for classifying HIV and some cancers, eliminating many tedious steps and producing results in one-tenth of the time.
As early as four decades ago, researchers at Monsanto tried to use centrifugal force to push liquids through a series of chambers on a plastic disk, says L. James Lee of Ohio State. His updated “lab on a CD” contains a series of wells and channels, each no deeper than the width of a human hair. Blood or cell samples are placed in one set of the disk’s chambers. Test chemicals are then mixed sequentially by changing the speed that the CD rotates: Solutions in wells closer to the outside move outward at lower rotation speeds, while those closer to the center remain in place until the CD spins more quickly.
Besides saving time, the lab CD also uses less of the expensive antibodies needed for common disease tests, cutting material costs by up to 90 percent. Within two years, technicians may be listening to their favorite music CDs while their experiments spin nearby on a similar disk.
http://discovermagazine.com/2004/oct/get-this-to-the-cd-player1006
As early as four decades ago, researchers at Monsanto tried to use centrifugal force to push liquids through a series of chambers on a plastic disk, says L. James Lee of Ohio State. His updated “lab on a CD” contains a series of wells and channels, each no deeper than the width of a human hair. Blood or cell samples are placed in one set of the disk’s chambers. Test chemicals are then mixed sequentially by changing the speed that the CD rotates: Solutions in wells closer to the outside move outward at lower rotation speeds, while those closer to the center remain in place until the CD spins more quickly.
Besides saving time, the lab CD also uses less of the expensive antibodies needed for common disease tests, cutting material costs by up to 90 percent. Within two years, technicians may be listening to their favorite music CDs while their experiments spin nearby on a similar disk.
http://discovermagazine.com/2004/oct/get-this-to-the-cd-player1006
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